Scranalogue

Culture Heritage Learning

Dunbar Bricks & Heritage Angels

5th December 2016 by Scran | 0 comments

fullsizerender-2

Mark Cranston – Heritage Angel Award Winner

Some of you may have heard about the recent Scottish Heritage Angel Awards? Here at Scran we caught wind of the fascinating work of Mark Cranston, who proceeded to win Category A for Investigating & Recording his extensive collection of bricks.

Scran has a pile of brick related content, which Mark was already familiar with, and through a series of fortunate events, we were able to contribute to his ever growing collection. East Lothian resident, Gina Williams, donated the brick which Scran then delivered to Jedburgh.

fullsizerender-1-1

The brick was from a Dunbar manufacturer and although he already had an example of a M.B. Sherriff brick, he had not seen this particular variation. One face on each has a shallow rectangular ‘frog’ or depression with text MB SHERRIFF/ DUNBAR and impressions of screw-heads.

02601382

Invoice, Seafield Brick and Tile Works, 1868

Seafield Brick & Tile Works at West barns, near Dunbar, supplied the local market as well as special commissions in Scotland and abroad.  These bricks were made using deposits of surface clay; originally dark grey, the clay becomes red when fired, a change caused by the oxidation of iron contained in the clay. The Seafield brickworks operated from the early eighteen hundreds on land reclaimed from the sea between West Barns and Belhaven. Once in the hands of David France, it passed to William Brodie and then his relatives, the Sherriffs of West Barns. William Brodie, invested in new equipment and expanded the works, exporting many of the products on his own fleet of steam vessels from Dunbar Harbour.

Unusually for a Victorian industrialist, M.Brodie Sherriff  was a woman. In 1884 she purchased & re-opened the brickworks at Westbank, in Portobello, so expanding the business further.

02601212

Seafield Brickworks, West Barns – surface clay pits

Nineteenth century East Lothian had a number of industrial scale plants producing bricks, tiles, pipes and other large scale ceramics. Seafield relied upon surface deposits of clay. Later, the abandoned clay pits were used to dump municipal waste and landfill until around 1970. Then the land was landscaped and planted; part was reserved for amenity, being integrated into the John Muir Country Park in 1976.

fullsizerender-4

You can see the full extent of Mark Cranston’s collection of bricks  http://www.scottishbrickhistory.co.uk/

download

 

 

 

Images ©  Mark Cranston, Scran & East Lothian Museums Service| Licensor Scran

366 Days of Architecture

4th April 2016 by Scran | 0 comments

06260122

1938 Crazy House by Thomas Tait the Architect-in-Chief of the Empire Exhibition

What do Elvis Presley, Toad of Toad Hall, Dennis the Menace, the residents of Ramsay Street, World Maths Day, coming-of-age film ‘The Breakfast Club’, and Scottish architects William Playfair, Basil Spence and Archibald Simpson have in common?

They all feature in the entries of ‘366 Days of Architecture’, a project that every day comes up with an image in the national record, Canmore, that relates to a fact specific to that day.  It’s one of Historic Environment Scotland’s contributions to the 2016 Festival of Architecture, for the Scottish Government’s Year of Architecture, Innovation and Design.  And it’s happening every day this year.

The image of the day can tie in with any associated event and demonstrates that diversity of digitised images in Canmore.  The whole year has already been pretty much mapped out and related events include anniversaries, birthdays, sporting competitions, the signs of the zodiac and saints’ days. The big names in Scottish architecture all feature in the project, along with links to their entries in the Dictionary of Scottish Architects.  Similarly, images connected to non-architectural historic events, current sporting championships and popular culture also crop up throughout the calendar. Social media is very much at the heart of ‘366 Days of Architecture’ and staff from the Communications team and Architecture and Industry section of the HES Survey and Recording group have been working together to deliver the project.  The daily image is tweeted on the twitter feed @rcahms, with a link to Canmore.

canmore_1255317

Proposed designed of Usher Hall, Edinburgh.

Neil Gregory, Operational Manager for Architecture and Industry, and curator of January and March’s entries to date said: ‘The great thing about Canmore is that it features buildings that connect with anybody and everybody. Architecture has a place in everyone’s lives and buildings form a backdrop to every tangible cultural event. We hope that 366 Days of Architecture will bring new audiences to Canmore, entertain our current users and the wider public who enjoy using Twitter

08938930

Usher Hall set up for Eurovision 1972

He added: ‘The great thing about the project is that there are always bags of images, film clips and sound snippets in Scran so we’ve had great fun finding complementary material on the Scran website. An event like the 1972 Eurovision Song Contest that took place at the Usher Hall in Edinburgh gives us a chance to showcase 1910 designs for the building that were never realised on Canmore and pictures of the contest happening that are held within Scran

Clare Sorensen, Architecture and Industry Projects Manager, and curator of February and April’s entries to date added: ‘The project is a real showcase for the historic collections that we care for here at HES as well as the sheer variety of buildings that we have recorded as part of our survey projects. We’ve so far featured buildings recorded in the early 20th century in RCAHMS’ infancy as well as sites that we’ve investigated in the last few months as part of the new organisation

‘366 Days of Architecture’ can be accessed via the daily tweet from @rcahms or directly from the front page of Canmore. To find out more about what’s happening in the Festival of Architecture, including other HES contributions, check out https://www.foa2016.com/

Images © Scottish Exhibitions Study Group, Crown Copyright: Historic Environment Scotland, The Scotsman | Licensor Scran